Showing posts with label Garage-Rock N Roll. Show all posts
Showing posts with label Garage-Rock N Roll. Show all posts

Flamin' Groovies - "Shake Some Action" (LP, Philips - 1976 ~ French original pressing)

You know, taking breaks from something you REALLY love, doesn't mean necessarily you won't be interested anymore. Something like this, happened to both of us here at WTS the previous months. I've started a new blog the previous year exclusively dedicated to my fave basketball team and as the games were getting tougher and the attention on this bigger, I naturally turned my head more into it (the back to back European Championship title didn't help things either but you know, I'm not complaining at all!). Same thing for JP. He had found a place (a 'sonic-masonic temple' in fact as I like to call it, I'm teasing you bro, he-he!) to share his knowledge and passion on all things technical that I'm not able to understand and get right and as a result of all these was more or less, this site to have fewer posts as it used to had...
But we're back! We sit our lazy ass down once again for a double shot of WAX love and some mo' cool things for your listening pleasure, starting with this!
Perfect timing's everything in life, right?! I had in my mind to 'reply' to my friend Gyro and his great recent  Flamin' Groovies posts on Twilight Zone with something 'rare', but JP and without knowing it gave me something even better! A European (French) pressing of the 'Shake Some Action' masterpiece!! "Big deal" some might say, "who needs another SSA post"? Well, everyone! As my buddy mailed me:

This French pressing sounds different from the US or Canada LP I've heard (and also different from CD). They are quite muddy. Not as bad as LAMF UK, but too much bass and not much highs.The French version solves this issue.

Boom! The basterd was right once again!! I've had it in two supposedly different CD versions previously (mind you, the one a Jap) and never ( I mean, NEVER!) heard before this POP jewel sounding SOOOOO good and fresh! I was totally aware of the good job Philips did back then with the single (who handled Sire releases in Europe and picked mysteriously on the amazing Capitol 'version 2' take for the single - a BRILLIANT MOVE!) but not for the long play!!! Do I need to say more?

PS: Stay tuned and check constantly for re-ups...


The Nomads - "Powerstrip" (CD, World Service/Rough Trade - 1994)

Hi there!
I just figured it out but it's almost a month since the last post...Sorry guys and gals, but too much things going on and naturally no spare time. I'd like to ask for forgiveness all of you guys who sent me an email and haven't replied back yet (I will though) and especially our friend Steve (thanks so much man for the GF stuff, I know I owe you something I promised LONG time ago, but hopefully I'll make it up this weekend). I'm slow sometimes but I never forget. Anyway, this cursed LAMF stuff has haunted us in a way and ever since whatever we tried with JP to touch with our hands stayed in the can. I'm not gonna say much but yes we're almost done for the next WAX hit and we already have another one in plans, so I guess there's life on the planet White Trash Soul/WAX, he he!
The past weekend I went to see the Nomads for the third time. It was pretty good. I mean no-one can mess with time it's obvious and it was quite frustrating seeing them aged, but they made me quickly forget all these stupid thoughts with just one song, actually my fave song ever and these Swedes are totally responsible for saving it from time's lethe! "16 Forever" man and I was such a jerk forgetting a statement supposedly is my life moto..! So, at the end I'm saying just this: If the Nomads ever come to your town don't have second thoughts, go see them. Satisfaction guaranteed as the old song says.
That's my fave Nomads record and the strange thing's that even a 90s release, has the fewer posts around and with dubious quality. I recently found the LP but I'm c-o-m-p-l-e-t-e-l-y useless in vinyl rips so here's what a friend of WTS, Pubbi had offered me some months back!

See ya in few days (probably...)


The Real Kids - "No Place Fast" (CD, Norton - 1999)

Hi there! Happy New Year to everyone!
Hope this year be better than the previous but the chances so far are not with our side (at least here in Greece). We got our families, our friends, our books, our rock & roll , quite a lot if you think to all  have a happy life, so fuck the rest.
Mmmm, I noticed many of you guys and gals want some re-ups. Even though I said I'm not going to do it, I will. It's not that easy cause my spare time is limited but in the next few days a first "package" hopefully gonna take place in the 'clouds'.
The limited spare time as well has halted all WAX confections for a while, cause JP just like me had too much things to take care, but hey, we're not giving up. And we are going to hit quite soon hopefully with two 'releases', an EP at first (for the first time in WAX's history) with the true-born survived material of a legendary record and a GREAT live tape our friend Steve handed us, a huge surprise for all the friends of real rock & roll, just be patient!
So, to our subject I was always a big Real Kids fanatic. But I never understood the reason why most people don't equal in quality matters the early 80s works of the band with the CLASSIC debut? I mean, sorry, but "Senseless" and "She" and "Can't Talk to that Girl" are among my fave rock & roll or power pop (you know, raw rock & roll with la-la-las as my buddy Vex used to say) tunes ever! 1999 Norton's compilation offers in one package these brilliant songs. The Taxi Boys side project on the legendary Bomp label that lead to reformation and the "Outta Place" second LP (produced by Andy Paley!!!) are here in all their garage-punk-pop furious glory! For my money only the Boys (UK) can match Real Kids' chop.

PS: Real Kids photo that used here as front sleeve it's one of the best ever captured on camera, I LOVE IT!

BUY IT HERE!

The Flaming Stars - "London After Midnight - Singles, Rarities and Bar Room Floor-fillers 1995 - 2005" (CD, Big Beat - 2006)

This greasy haired wild bunch of Londoners should have been my fave band ever. I mean, the Flaming Stars are the only 'round the dark and fluid basements that for so many years are able to reflect so perfectly my moods, my influences in all aspects of what people think of as 'art'. They named their-selves probably after the amazing Elvis song (which along with 'Crawfish' belong to the all time faves WTS pantheon) blending brilliantly and uniquely twangy surf, outlaw hardcore country, southern fried Sun/Meteor rockabilly, straight ahead R&B with Rat Pack's brat class, 60s garages original feel, Bukowski oozed lyrics and the Peckinpah originated set up, in a lethal cocktail no real rock & roll admirer could or would like to resist!
Every coin has two sides they say and the Flaming Stars stamped theirs on the penny that has the Godfathers on the other. Forget the easy and for me totally out of place comparisons with the Tindersticks or the Bad Seeds. And if Cave's not that far from them, at least in frame - the Tindersticks look like some 'Brian Ferrys' to my eyes where the Flaming Stars are the Only Ones with Dean Martin on the mic or the Voidoids with Jarvis Cocker. No wonder for a band that had its roots on the Earls of Suave (a legendary outfit with ex-members by the Gallon Drunk, the Headcoats, the Cannibals and the Sting-Rays!).
What amazes me the most though are their guitar dual channeling arsenal. They were handy enough to combine Link Wray with Ennio Morricone and the glam days of  Lou Reed in a way that sounded at least natural to these ears. The creepy organ/piano was squinting with the one eye turned to Jerry Lee and the other to Human Expression's mournful melodies and the hypnotizing (in many cases) rhythms were in dept of the Velvets nonchalant drug addiction minus the art-faggotry element. Their singles and CDs had sleeves with a direct line/tribute to all the cool crime novels and sleazy paperbacks of the 50s (check the permanent link on the blog for Max's AMAZING book, 'Straight from the Fridge, Dad' - proceed without second thoughts!) and it was the main reason for starting buy them when they were a completely uknown act to me. The DRUNKEN night back to the late 90s Athens at An's basement wasn't just a memorable show (Max on the liners seems to have the same opinion as me) but a Dionysian celebration. Here's a perfect compilation, the way such releases should be done. I wonder if they're still around?

Buy it HERE

Pic taken from Ace records website


















The Mono Men - "Don't Know Yet" - "Lie Detector/Jack The Ripper" (7", Lucky - 1992) & "Just A Girl" - "Over The Edge" (7", Lance Rock - 1992)

Hi there! Just came in from a few days off the modern civilization. No internet, no phone calls, lots of tasty meat and wine and a good cold as a bonus. Not much to say, actually who needs any introduction to the mighty Mono Men? High school buddies of the Fastbacks, adherent friends of the Nomads, label honchos of the Estrus empire and along with Mudhoney my fave bands during the 'grunge' days from the whole Seattle/Washington area. Not your average 'garage-revival' band for sure. Here in a couple (I suppose) out of print singles from 1992. Allegedly disbanded from 1999, with a few 're-union' shows thrown in 2006 and a good M.I.A. thing going on since... I know many 'garage-freaks' didn't like them, possibly due to the fact that never were part of the genre's fashion/trend but I don't give a shit about it. They were cool enough to shake my ass and hold my interest for years. Just for this alone they deserve every bit of my WTS respect! Like the back sleeve says:
 "There's more to the Mono Men than sluts, booze, and gravel-spittin' custom woodies!"
And as it usually happens on singles, all A-sides are Mono Men originals ("Don't Know Yet" & "Just A Girl")and all B's are inspired kick ass cover versions of tracks with origins on Link Wray ("Jack The Ripper"), Billy Childish ("Lie Detector") and the Wipers ("Over The Edge").
Laaaaaaaaaaateeeeer!

The Cannibals - "The Submarine Song/Paralytic Confusion" (HIT together with Bucketful Of Brains Magazine, 1984)

Morning lads! More trash by our favorite Cannibal here at White Trash Soul headquarters! Possibly a rarity (I'm not sure though, cause every time i write something for something 'rare', record collectors hit on me on how much this may cost or how many slices pressed, so i really don't know!). As a big fan of Mike Spenser's 'work' you 're getting me unlearnt this time...! I mean, i knew the existence of the single but i never saw it or heard it before. But i don't feel bad cause there's virtually NOTHING on the net for this, anywhere! Not on the Count Bishops sites, nor on record collectors'... And we are offering this thanks to JP who wormed it out perhaps from a trash pail! It doesn't really matter though cause what we are talking about here is rock & roll, and on these two sides is plenty and raucous! As you read on the title, this 45 rpm came out with some Bucketful of Brains issue back in 1984 but that's too a mystery! Whatever, if anyone of you guys and gals knows more, we're here to put our pince-nez and teach us a lesson.
Later!

1313 Mockingbird Lane - "Triskaidekaphobia" (Midnight Records, 1993)

If I remember correctly, the first garage band I ever heard was 1313 Mockingbird Lane. Not the Fuzztones, not the Chesterfield Kings or any other of the 'big' names by the rebirth 80s era. Strange, right?  I do remember also that first read about the whole 'garage punk' revivalism and then came to like it for their sounds, and that’s because of the band pictures I was seeing in fanzines and magazines (for some strange reason, Greece’s kind of mainstream 'rock' press had a good coverage to many garage bands at the time!). Yep, sometimes image is everything! I was full on punk. Not the 90s punk... OK, some of it maybe, but I had a passionate relation with the '77 movement and its bands. So, everything had a 'punk' synthetic, was a target for the little prick here. For another and even stranger reason, a classmate of the 'not so cool' stockyard (that’s not an impression of mine, as I recall the ‘neat chicks’ was ranking him that way - btw I'm still proud and obdurate by the way treated them, all these bitches deserved every little insult and mockery...), had a TDK C-60 from his cousin with most (if not all...) of the "Triskaidekaphobia" plus a good shot of "Have Hearse Will Travel" toons on the side B . So, he handed me the tape, because it had "no signs of heavy metal" and “it was badly played music” and wished me luck ironically... Thanks pal! I still owe you and it’s a pity we lost contact (you know, I hate re-unions and I detest Facebook!) cause in a way your power metal strains (what?), had opened me a whole new and exciting scene that in any way I HAD TO DISCOVER!  Anyway, every time I was coming to Athens with my parents to visit grandma, a quick hike with specific chases (cause my dad was boring to death from my record stores enticements) was taking place. In one of those hunting saunters, grabbed two of the Lane’s singles but by then, nada! Of course all other band’s singles through the years appeared in front of me but with salty prices as an accessory… Sorry, not enough money to spend. Thanks to some same minded bloggers, I got lucky and had at least the chance to hear them. And I really wonder why doesn't start yet a 80s garage re-issue tsunami? There are SO MANY things remaining in unavailability...!
Anyway, from a band with SUCH A COOL name, an anti-Beatles song in their canon, a former Link Wray drummer, a huge Flamin’ Groovies admiration, some more cool influences by side (instead for the 'standard' garage trademarks their 'comrades' did, here they pick on Freddy Cannon, Johnny Kidd and of course the Groovies!), a Greek superstitious title for the bad luck day of Friday the 13th, and some damn well tones of fuzz, screams and haunting organ, you really don’t expect more... Am I right?!



The Nomads - "16 Forever/Salvation By Damnation" (7" - Amigo, 1987)

Hi there! Nothing's change, I'm still a bored misanthrope in a phase of self searching... This old records safari i was telling you on the previous post, drove me in places i forgot how great they were. But it's kinda strange to be shown in here... i guess... I mean, I'm in a HUGE Monster Magnet re-appreciation and maybe you can't really understand how much JOY I'm receiving listening to the "Spine of God" or "Dopes to Infinity" albums. I'm feeling like this covertly fag marine on 'American Beauty', full of guilt's being in a pleasure by listening to these new hippie freaks! And let's not forget about Tim Warren... I'm sure he's going to write me off of his books as a true punk n' roll fanatic if he ever read this, but hey -  hedonism is hedonism what can you do, right?
A garage punk band I've always loved and respected, Sweden's boast - the Nomads, never being afraid of fans' clamor. They always loved the Sonics and the Stooges as much as they loved the Blue Oyster Cult. My fave record by them (and they are MANY!) it's the Dictators' lost gem "16 Forever". They taught me the song and wasn't in my hands until recently when the good Norton fellas and their official release, gave the chance to stop my holy grail crusade on this. I still like the statement of the song! "You ain't gonna make a grown-up out of me!". Yeah, I've gotta make my wife listen just once to this song with the hope to stop bothering me for why i still like to wear my converse all stars or band t-shirts anywhere and everywhere. '16 forever' babe, sorry! B-side's "Salvation by Damnation" and it's a damn great song too, but had the bad fortune to be gathered along with the teeniest anthem ever!
PS: I'm cheating a lil bit here, cause I'm too lazy to rip the original vinyl single and what i included it's the (slightly different) album version of the song, but hey it's still great even without these 'annoying' scratches!


Oblivians - "Soul Food" (Crypt, 1995 - CR 055)

Hi there! Just got back from my summer vacations and I'm not in the mood for...basically anythin'. I hate come backs. Anyway, the best way to find some strain i guess is to put out of your record collection some long time forgotten gem and recapture its greatness. And that's what i have to offer. Oblivians. Yeah! Amazin' band, true hoodoo voodoo spirited, swamped and rock & roll to the last cell of its DNA. Memphis soaked and even if almost everyone today seem to tag 'em under the 'garage punk' etiquette, this trio has more in common with bands like Tav Falco's Panther Burns or the Cramps than say, the Chesterfield Kings. They used to change instruments in studio and on stage. They used to pay tribute to Ramones by naming themselves with the last name of 'Oblivian' (Jack, Eric and Greg) and they used to make kick ass records! That's their debut . "Soul Food" 's exactly what proudly pronounced. A raw, pre- Elvis swamp blues hip shake of a preacher dabbled in Jim Beam. A sinner's side of view for gospels. Joint a little and see ya back (hopefully) in a couple o' days.

The Crawdaddys - "Crawdaddy Express" (VOXX, 1979)

I know you know already, i have a bad thing going on with most moptops of the so-called 80s garage revival scene, right? OK, i know many of 'em were at least good in what they were doing BUT... I don't like fashion and to me first come the music an' not the outfits, the hair, the glasses and/or the Cuban heels. There was a band then, that started in the late 70s, right in the midst of the "trend" of punk in both sides of the Atlantic ocean, and had the GUTS and the BALLS to play rootsy, filthy bad ass R&B, the way Pretties, Them and Downliners (OK, Stones too) taught us. Hailed from America (San Diego), even though their sound was deeply soaked on those Brits mentioned above. John Peel dug them a LOT, Mike Stax in their favor dumped homeland, flew there, joined in and all the rest's by now to more of you, a well known history (Tell Tale Hearts, Ugly Things Mag etc). Their appropriate look on classic sides by John Lee Hooker, Willie Dixon, Lazy Lester or Chuck Berry were SUPERB and their name of course picked up by the legendary London R&B club where the Stones and the Yardbirds started to make an impact. A punkier/punchier approach on what many pub rock bands played in England (is this punk or what?). Except for a fully influential & satisfying LP, this was VOXX's first number, the child label of Greg Shaw's Bomp!, almost entirely responsible for what good or bad came out from then til now under the term of 'Garage'! Recorded on a friend's of Greg Shaw (what else?) garage for the total production cost of 12$!!! Hear this platter and come tell me back if you still consider the Fuzztones or the Chesterfields as the best...



The Detroit Cobras - "Black Tie - Live" (Bootleg - TOTH-948CD-R, 200?)

photo by Christopher Chouinard
The Detroit Cobras were/are the exact respective of groups like the Lyres or the Milkshakes. A garage approach on everything obscure and cool 'bout Soul and R&B music, 'specially of the 60s era. I really can't remember someone doing it better if not doing in it at all! And it's one of those rare things in rock & roll when a "cover band" has more to tell and spread than the obvious, to reduplicate or repeat things.
Don't know if you already knew this, but when I'm saying it on a conversation, everyone seems to mount his eyebrows... Alex Chilton was responsible for this band more or less... They seem to be blessed with coolness from the day one. They searched on trashcans and dusted off brilliant sides by artists like Irma Thomas, the 5 Royals, Gino Washington, Nathaniel Mayer, The Olympics, Shangri-Las, the Ronettes, Mickey Lee Lane or the Gardenias... And all this without looking like mods but like street punks. They have on their arsenal the BEST female vocalist came outta US the last 20 years at least. Rachel Nagy's the SEXIEST chick around. Something like a real cool Janis' daughter in a stripper's disguise! They were SO GOOD that legendary songwriters like Jackie DeShannon and Ellie Greenwich expressed their will to wrote new material especially for them! Nothing's just luck in this life, right? If you don't own their records just add it on this next week's schedule and start with it. A great live appearance that broadcasted by Detroit's WCSX radio station with the Cobras blasting out a 17 song set that smokes! That's as far as i know an only CD-R boot but if anyone from you guys and gals out there knows more, please comment.
320 Kbps

Black Tie! 





Various Artists - "All Night Garage Service" (Waterfront Records, 1986)

I have searched for this comp over the years quite a lot but I sadly failed to succeed. It has a big “Garage Service” stamp on, but don’t wait sir to found in it paisley shirt mop top revivalists.
You know, I moaned a bit on some previous posts ‘bout the lot of the so-called ‘Garage Revivalists’ of the 80s. OK, there was a good percentage of them all that had one at least kick ass record in their arsenal but hey, paisley shirts never was punk. And sometimes (as the old slogan says) “Image is everything!”
Johnny Rotten used to refer onto ‘pub rock’ bands as “rubbish”... Of course I rate Pistols high, but I always thought of Wilko’s chunky Telecaster as punkier than Steve Jones Gibson. And there were much more groups in the UK that period of time that were more ‘garage’ or ‘punk’ than the ‘obvious’ press darlings (even though once again, many of them were totally great). 
And this compilation’s got plenty. You can actually hear Wilko Johnson doing Sam the Sham’s “Wooly Bully”, Eddie & the Hot Rods on a blistering live execution of their classic "Teenage Depression", Steve Hooker's excellent "Thunders meets the Cramps" Shakers, on "How Did You Know" (Mr. Hooker was the mastermind behind this release also) or the Len Bright Combo with members of Wreckless Eric's band and the Milkshakes! "Chunkchakanchunk - chunkchunck, chunk" Bo and Chuck rhythms and riffs for those who knows where the roots of garage punk are. 
This record not long time ago posted on TwilightZone! from the CD reissue with the bonus tracks.
If you wanna hear now how this sound through a needle's dive in the plastic, check once again brilliant  Jean Philippe's rip contribution exclusively for White Trash Soul!
FLAC

 All Night Garage Service!







The Cramps - "1976 Demo Session W/ Girl Drummer Miriam" (Bootleg LP, 19??)

Happy New Year to you all White Trash Soulsters out there!
Hope this season be the best in your lives til the next one. Not many time ago, i was ranting 'bout Miriam Linna's drum pounding for the early Cramps. I offered some things and i asked if anyone by you was sitting on a demo session she did with them, that produced not by any other but Richard Robinson, mostly known as the man behind the board for the Flamin' Groovies masterpiece, "Teenage Head".
A very cool bloke from France named Jean Philippe, was hearing upon my wishes and answered today with this (full scans included)!
A million thanks mate! I am truly now "an eternally grateful bastard"!
So, the very first blog entry for 2011 is by the Cramps, featuring M. Linna on traps.
It doesn't get more primitive than this!
FLAC

1976 Demo Session


The 5.6.7.8's - "Teenage Mojo Workout" (Sweet Nothing, 2002)

I know i know, i gave a quick look before start begin to write this piece and a good 95% of what i found on the net for the 5.6.7.8's, mention the words "Tarantino" and 'Woo Hoo"! Not bad credits to go with, but hey, these gals have a lot more for someone to check or say than these two.
The 5.6.7.8's of course aren't new on the game. Their cat-ish primitive amalgam of garage rock n' roll-a-billy attracted a loyal fan base early on an with the right moves and some dose of luck, hit (quite) big. I must admit that even myself and because of the gals here, gave the attention deserved to the Rock-A-Teens... They were right in front of me, KICKS crew had covered their story but all i wanted was three little devil driven Japanese chicks to kick my ass! Yoshiko's my favorite! A cute little lynx that playing the guitar on a Link Wray level while screaming on microphone words that sometimes needs you to check on the lyrics (if these exist somewhere...) or the original version if it's a cover tune, to understand what she says! But who cares? She's for sure the "Fujiyama Mama" that legendary Wanda Jackson sang some decades ago. Her sis Fujii Sachiko behind the traps tries to keep steady their train, a for sure of far East Miriam Linna and the tall (at least of the three...) Yoshiko Yamaguchi, playing the bass somewhere in between of the Dee Dee Ramone and the Sun records hillbilly cats. "Teenage Mojo Workout" it's for me their best record. It worth's his price alone just for their version on "Hanky Panky"! I mean, listen to the filth that's produced from Ronnie's guitar (especially in the beginning) and go tell me if I'm wrong anywhere here! They cover also Bo, Booker T & the MG's, Ike & Tina or Bob & Earl proving the best way their intentions and their gusto! All in all, a FUN three chord rock & roll CD best served hot for your next party. Imagine the Ronettes playing with their own instruments The Sonics, Bo Diddley and Wanda Jackson and you're closer than ever to the 5.6.7.8's wild and cute world!
320 Kbps

Teenage Mojo Workout 

The Cramps featuring Miriam Linna on drums (Excerpt from "How to Make a Monster", Vengeance - 2004)

OK, I'm bored to death to repeat my self even though i do this thing constantly. Well, is there anyone of you guys out-there that you don't already know who Miriam Linna is? OK, if you 're a newcomer on this blog I'll give some tags to google a little and find out for yourself her brilliancy! These are : KICKS magazine, Norton Records, Flamin' Groovies Monthly, The Zantees, The A-Bones and... The Cramps!
Many mistake Miriam as the original drummer of our beloved and mighty cannibals, but... actually the first was Pam Ballam (whatta a great nick was that!). But she was the first the Cramps did a recording with. Officially some of them found its way to the public through 2004's "How to Make a Monster" Cramps CD compilation with lotsa previously unreleased tracks of the band and with various line ups included. If my memory serves me well, that brought some tension between Lux, Ivy and Linna, cause the first two never get permission from the last to release this stuff; but the sad loss of Lux made the ones that left behind to bury the hatchet. It's obvious on Miriam's blog entrances about her early days with the Cramps. If you didn't already read and save on you HDDs these pieces, do it swiftly here, here and here! That's history, written in the unique "KICKS" way and essentially given to the fans with great pictures and stuff! I have made pdf files of every post so far Miriam uploaded on Kicksville 66, as a letter of administration to my children when they grow up and must catch on the right chapters of rock & roll! I advise you to do the same, before it's too late...
So, these recordings here not the complete with Miriam behind the traps but sure are the better sounding! I use most times, the Wang Dang Dula site for a deeper knowledge on things i like and i found some boots with more or less, most of the tracks they did together. The one i really need to catch is the "1976 Demo Session" produced by the Flamin' Groovies soundman Richard Robinson!... Any of you guys got it? If yes, please share and I'll be an eternally grateful bastard! 
320Kbps

Don't Eat Stuff Off The Sidewalk! 


Tracks:
- Live at Max's, Kansas City, on January 14, 1977 -
Don't Eat Stuff Off The Sidewalk / I Was A Teenage Werewolf / Sunglasses After Dark / Jungle Hop / Domino / Love Me / Strychnine / TV Set / I'm Cramped
- Studio, October 1976 produced by Richard Robinson -
I Was A Teenage Werewolf / I Can't Hardly Stand It




 

The Fleshtones - "Forever Fleshtones" (Danceteria Records, 1994)

The Fleshtones often counted by many as a garage band. Musically speaking, this designation seems to be at least limitating. This NYC legendary party outfit, always were and always be a genius mixture of all cool things hapenned in rock & roll the last 50 years! I guess that's why they call their-selves 'Super Rock', right? Of course had (and still have) fuzz in their sound and of course they use a Farfisa organ, but... They always chose to cover R&B or Soul obscurities instead of 60s punk classics like all the other "80s garage bands" did. And of course their own material was equal in terms of quality and in comparison with the covers. 
Many of the Fleshtones fanatics have one thing in common with the so-called 'rock journalists'. They all agree to the fact that "Roman Gods" and "Hexbreaker!" were the best outputs the 'tones offered to the world in their long time career (almost 3 decades and counting!). Well, I'm one of the possible exceptions. Sure i adore both aforementioned albums, but what it's closer to my heart is "Forever Fleshtones" A.K.A. "Beautiful Light". As you already able to see for yourself, we Europeans got the Danceteria edition as "Forever Fleshtones". I did a quick google search for "Beautiful Light" and came to conclusion that the only differences the two albums had were the covers (the one's front sleeve the others back) plus a sepia coloration on the US edition ("Beautiful Light"). This masterpiece had as producer the R.E.M. axeman, Peter Buck and recorded in Athens Georgia with outstanding results! To tell you the truth, this thing alone made look R.E.M. with more sympathy. Anyway, that's a deeply soulful recording. Rootsy as usual but with a hoodoo voodoo vibe all over it. "Take a walk with the Fleshtones" it's the best ever Kinks rip off and "Whistling Past the Grave" picks not so secretly eyebeams on an another 60s British band, the Yardbirds, while "Beatiful Light" seems to have a southern soul warmness.  "Pickin' Pickin'" and "Push on Through" are the Soul stompers of the record and future participatings on comps like 2050's "Land of 1000 Dances Vol.56". The album's closing number, it's a psychedelic (yes psychedelic! - in the unique Fleshtones way, though) masterpiece ("Mushroom Cloud") and has an organ that sounding if it's sampled by a Human Expression or a Seeds old 45 single. All these and more can be found inside this record's heart. If there's one disc by the Fleshtones that needs to be immediately back in stock, that's "Forever Fleshtones" (or "Beautiful Light").
320Kbps

Take a walk with the Fleshtones!









The Lyres - "Baby I Still Need Your Lovin' / Gettin' Plenty Lovin'" (7'' single - Norton 45 013 - 1992)

OK, i know that i must went too far with all the Lyres / DMZ mania here, but sorry lads, i just can't help it! Monoman's alone responsible in a big way for what I'm hunting or listening for many years in my home stereo. That's another 7inch single, got out by the good folks at Norton back in 1992 and as you might guess, it's a KILLER! The line up here has no less than the 3/5 of the DMZ kick ass supersonic - housewrecker crew and except for the well known "Baby I Still Need Your Lovin'", a staple among the Lyres fanatics, there's also a savage monomaniacal cover tune of the Esquerita classic, "Gettin' Plenty Lovin'" that's hot as hell! Beantown delirium excellence! Oh, and both front and back sleeves are at least, fantastic!
320Kbps

Baby I Still Need Yr Lovin'! 


Personell:
Jeff Conolly - Vocals, Organ, Tambourine
Paul Murphy - Drums
Richard Carmel - Guitar
Rick Coraccio - Bass Backing Vocals

The Cynics - "Rock 'N' Roll" (Get Hip - 1989)

Hey lads! What's up?
It's been a while since the last time, but i was on a small vacation trip to Milos island slacking, swimming and eating fresh seafood. I needed this thing to relax a bit. Anyway. I'm on a 'Garage Punk' mood this period and dusting off many records of my collection i re-found this SHIT! Yeah, i know, who already doesn't own this monument? A long player full of distortion and raw energy! Many times you have read these words for describing a record, but just a handful are so close to the real meaning of these headwords! The Cynics began as a "garage" band but with the passing of time more elements mixed up in their blender. I fuckin' love "Blue Train Station" LP, but this "Detroit Punk" approach still make me jump up & down like a kid. Fuzz, buzz and booze! The same thing happened with the Miracle Workers. Everybody knows about the "Inside Out" LP (Voxx) but not many gave the attention really deserved a record like the "Roll Out the Red Carpet" (Triple X)... A few years ago my little brother and his best friend came to my flat and as we discussed about music, all they telling was metal. No second thoughts i put this platter on, dive the needle on "Cry.Cry.Cry" and the little fuckers left looking at me with their mouths wide open through-out the song! If you haven't listen to it already, well here's your chance. Fuzz N' Scream at its FINEST goddammit!  That's of course a vinyl rip of mine. I read somewhere that recently Get Hip re-released this monster but I'm not sure if a compact disc is able to re-produce this manic energy that's still slaved on the original plastic... In a few words... ROCK 'N' ROLL!!

320 Kbps

Tracklist

Side Rock:
A1.Baby, What's Wrong?        
A2.Way Its Gonna Be        
A3.Girl, You're On My Mind        
A4.Get My Way        
A5.Tears Are Coming        
A6.Business As Usual        
A7.Cry, Cry, Cry  
Side Roll:   
B1.You Got The Love        
B2.Close To Me        
B3.Different Worlds        
B4.Now I'm Alone        
B5.What You Get        
B6.Last Time Around        
B7.The Room





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