Showing posts with label Power Pop. Show all posts
Showing posts with label Power Pop. Show all posts

The Ramones - "Leave Home" (LP, Sire - 1981~Italian Reissue)

Without any question the first six long plays by the Ramones are beyond any review policy (YES you must count "Pleasant Dreams" too, as an overlooked classic)! I bought for the first time "Ramones", "Leave Home" and "Rocket to Russia" about 20 years back, all three on the same day and I've played them a millions times ever since in their countless editions. "Leave Home" remains to this day my favorite Ramones output.

I guess a 'fave' item gets the prize/title by the way it fits with someone's character. And the Ramones second hit, did this for me instantly. A record title as laconic and to the point as their two and a half minute blasts. Vitriolic, sharp, impressible and funny (but never dumb as many dorks claiming) lyrics and with the often mentioned 'slicker' production by Tony Bongiovi and Tommy Ramone sounds to this day an even better approach than the one Phil Spector tried with "End of the Century"! A blasphemy? Probably but who cares anyway?! We're talking about punk rock here mate. Actually, we're talking about powerpop..!
I mean, dive your turntable's needle on the grooves and judge for yourself. Does any record by Elvis Costello or Dwight Twilley have more 'power' than this!? Come oooooooon! And when we're saying 'pop' we must agree on what we are talking about, OK? Cause I'm 100% with Joey's and Dee-Dee's side of thinking on what 'pop' is (or sadly... was). I fell in love with the Ramones because I was first in love with the Ronettes, the Crystals and the Shangri-las through the (very) few 45s of my parents. And "Leave Home" has many songs with the same over the top pop quality all these 60s girl groups had. And those pop blasting tunes are the ones that made me say from day one, "That's it, man"! Cause you can rave with any possible right from your side for trademark brudders songs like "Pinhead", "Commando" (fuckin' brilliant!!!) or "Gimme Gimme Shock Treatment" but let me hassle now and go all the way for "Oh-Oh I Love Her So", "Babysitter", "Swallow My Pride" and "I Remember You" cause sorry brothers, those are the real stand-outs with the aforementioned top class pop quality! Give a listen to the pseudo Spector sounds and the woo-hoo vocal harmonies in here, and see downright that worked waaaaaaaayyy better than what Spector himself captured a few years later!
OK, clearly I can go on forever on every single track about this monument's knack, but I have to put a full stop now (I mean, I didn't even mention the unapproachable taste of the band by choosing to cover The Rivieras!).
So, we're perfectly sure by now that you did get the message from the "Italian Reissue" on the post's title, why we pick on something you probably have already and in many formats or editions. Yep, that's right, Jean Philippe's back again!

"I have checked various vinyl versions (8), and this is clearly the best one (to my ears). Japan original is probably better, but it's expensive. The French original sounds quite good, but it's got some very unpleasant distortion on several tracks. The recent Rhino reissue has also some pressing problems, and both US and UK originals are not great to my ears. All these pressings have harsh vocals & guitar, which may be viewed as 'rawness' (read: 'true punk sound'), but to me it sounds like pressing flaws. I don't know much about CD's, as I've only heard a Japanese remastered CD, and this cheap-looking Italian vinyl reissue (from 1981) sounds richer & cleaner to my ears. I like when inexpensive records sound the best!"
He-he, I'm sure you know straightly when my buddy's saying something about fidelity, can't do no wrong!

As I was going to bed for siesta, took with me Bomp's PowerPop Special issue from March 1978. Greg Shaw had seen on the Ramones the same things I was telling you in the lines upwards:

"The Ramones are now a pop group more than a punk band. Their aggressive wall of guitars sound has been accepted as part of the pop vocabulary, and where the mainstream of Punk has gone to greater extremes of offensiveness, the Ramones have become a very positive, life-affirming youth explosion. (...) If you can imagine the Beatles having emerged at a time when the doors of radio were more than momentarily shut against them, and making their first 3 albums without the benefit of any hits, you'd have it. (...) Someday, Dwight Twilley will be a star. And someday, the Ramones will be a legend."

As much as Greg's prophecy went to the dustbins about Twilley, the exactly opposite happened for the Ramones! Crank it up once again!

PS: "I Remember lying awake at night / And thinking just of you / But things don’t last forever / And somehow baby / They never really do"...  We miss you SO MUCH Joey and Dee-Dee...


Flamin' Groovies - "Shake Some Action" (LP, Philips - 1976 ~ French original pressing)

You know, taking breaks from something you REALLY love, doesn't mean necessarily you won't be interested anymore. Something like this, happened to both of us here at WTS the previous months. I've started a new blog the previous year exclusively dedicated to my fave basketball team and as the games were getting tougher and the attention on this bigger, I naturally turned my head more into it (the back to back European Championship title didn't help things either but you know, I'm not complaining at all!). Same thing for JP. He had found a place (a 'sonic-masonic temple' in fact as I like to call it, I'm teasing you bro, he-he!) to share his knowledge and passion on all things technical that I'm not able to understand and get right and as a result of all these was more or less, this site to have fewer posts as it used to had...
But we're back! We sit our lazy ass down once again for a double shot of WAX love and some mo' cool things for your listening pleasure, starting with this!
Perfect timing's everything in life, right?! I had in my mind to 'reply' to my friend Gyro and his great recent  Flamin' Groovies posts on Twilight Zone with something 'rare', but JP and without knowing it gave me something even better! A European (French) pressing of the 'Shake Some Action' masterpiece!! "Big deal" some might say, "who needs another SSA post"? Well, everyone! As my buddy mailed me:

This French pressing sounds different from the US or Canada LP I've heard (and also different from CD). They are quite muddy. Not as bad as LAMF UK, but too much bass and not much highs.The French version solves this issue.

Boom! The basterd was right once again!! I've had it in two supposedly different CD versions previously (mind you, the one a Jap) and never ( I mean, NEVER!) heard before this POP jewel sounding SOOOOO good and fresh! I was totally aware of the good job Philips did back then with the single (who handled Sire releases in Europe and picked mysteriously on the amazing Capitol 'version 2' take for the single - a BRILLIANT MOVE!) but not for the long play!!! Do I need to say more?

PS: Stay tuned and check constantly for re-ups...


The Nerves - "One Way Ticket" (CD, Alive - 2008)

Name your favorite power pop band quickly. Come on, you don't need to think about it, just drop the name your mind's database finds first.
Flamin' Groovies? OK, an obvious choice, but what I need is something less obvious, so drop another...
Badfinger? Mmmm, I'm sure you can do better, too boogie to fit in don't you think?
Cheap Trick? Way cool, but those hard rock twists they got sometimes... don't know.
The Raspberries? Wimpy and campy, you know...
Big Star? Now, you're talking man, but... a bit dark for a springtime post... Remind me about them when the winter is setting in, OK?
Dwight Twilley? Oh great! Wait a minute... I'm not in the mood to make a vinyl rip now man. I know I'm a lazy bastard but since Jean Philippe came to pic, my mind's have cool down about it so...
The Nerves? BINGO! I thought you never gonna tell it man! You know, I must admit I'm cheating a little here cause that's what I had in my mind from the first moment but I thought it was easily for someone knowing my taste which is probably my fave powerpop group, man! The words 'seminal', 'trademark', 'irresistible', 'ultimate' are synonymous with the Nerves short lived existence. What you get here's everything! The beyond any critic classic 7'' EP, the embryonic Paul Collin's Beat diamonds ("Walking Out on Love", "Working Too Hard", "You Won't Be Happy"), bonus studio material, live and demos. More or less the varia Nerves output. I adore Paul Collins Beat's first two and all Plimsouls works equally but let this be the subject of another time's case. After this, you have really no excuse to cite "Hangin' on the Telephone" as a Blondie tune...


The Boyfriends (USA) - "I Don't Want Nobody (I Want You)" / "You're The One" (7" Single, Bomp - 1978)

I was checking up lately some old stuff and came to this great band and single. The Boyfriends from New York had some great power pop blood running through their veins (The Poppees) and as a result of this, some more great tunes! This Bomp seven inch has a special place among my favorites for what is known to this day as 'powerpop'. The reason why is not that difficult for someone to imagine it when the needle make its dive. Cause both tracks are some great examples of raw pop & roll jewels with a heavy Heartbreakers influence upon them. And on "I don't want nobody" exists this great Stooges drum beat ruffle ("No Fun" obviously) - elevating the song in the 'irresistible' heights of sentiments! As far as I know they had another one on Signal (1981, "Wrapped Up in a Dream" / "Same Old Song") which was equally good but clearly in more pop oriented paths. But this...WOW! Imagine Johnny Thunders' gang with all their girly pop influences up front and you're in. No wonder really why the Ramones chose to cover an unrecorded gem of theirs for the 'Subterranean Jungle' ("I Need Your Love"). Joey was nuts about pop vignettes like these, and so am I !!!


The Real Kids - "No Place Fast" (CD, Norton - 1999)

Hi there! Happy New Year to everyone!
Hope this year be better than the previous but the chances so far are not with our side (at least here in Greece). We got our families, our friends, our books, our rock & roll , quite a lot if you think to all  have a happy life, so fuck the rest.
Mmmm, I noticed many of you guys and gals want some re-ups. Even though I said I'm not going to do it, I will. It's not that easy cause my spare time is limited but in the next few days a first "package" hopefully gonna take place in the 'clouds'.
The limited spare time as well has halted all WAX confections for a while, cause JP just like me had too much things to take care, but hey, we're not giving up. And we are going to hit quite soon hopefully with two 'releases', an EP at first (for the first time in WAX's history) with the true-born survived material of a legendary record and a GREAT live tape our friend Steve handed us, a huge surprise for all the friends of real rock & roll, just be patient!
So, to our subject I was always a big Real Kids fanatic. But I never understood the reason why most people don't equal in quality matters the early 80s works of the band with the CLASSIC debut? I mean, sorry, but "Senseless" and "She" and "Can't Talk to that Girl" are among my fave rock & roll or power pop (you know, raw rock & roll with la-la-las as my buddy Vex used to say) tunes ever! 1999 Norton's compilation offers in one package these brilliant songs. The Taxi Boys side project on the legendary Bomp label that lead to reformation and the "Outta Place" second LP (produced by Andy Paley!!!) are here in all their garage-punk-pop furious glory! For my money only the Boys (UK) can match Real Kids' chop.

PS: Real Kids photo that used here as front sleeve it's one of the best ever captured on camera, I LOVE IT!

BUY IT HERE!

Various - "DIY: Come Out And Play - American Power Pop I (1975-78)" & "DIY: Shake It Up! - American Power Pop II (1978-80)" (Rhino, 1993)

I abstain a lot to think of my self as a power pop specialist, but on the other hand I have heard over the years so many records under that term that I believe I’m able to have a word or two without being categorized as a smart-ass, right? Those two volumes were part of Rhino’s once upon a time attempts to anthologize in the best possible way, the mid to late 70s punk rock scenes for the both sides of the Atlantic. And except for the fact that are actually the best volumes of the series (9 in all), are also and probably the best official compilations on the genre. You know, the other day I was checkin’ up my ‘zines library and on this Fast, Loud Rules issue found that this first volume seems to was in the beginning a boot LP in which the good guys at Rhino based upon (and copied possibly everything as you can see…) to create this issue (but then again I never saw it with my own eyes so let’s see this as a good trivia)! Who said bootleggers are only thieves and cheaters? Cause if you consider yourself a true rock & roll fanatic (which is probably true if you’re here not accidentally, haha!), the totally brilliant series in the likes of KBD compilations only this time for Power Pop under the “Powerpearls” name, are (guess again) bootlegs too! Anyway, I always liked Power Pop and what a great name to come up with! Instantly all the guiltiness about finding yourself enjoying a rather melodic tune with hooks and sha-la-la’s goes away! And that was power pop’s life story. A generation of punk rockers who felt free to dive in shamelessly in the earlier days of Fab Four without the fear of being accused by comrades as squares! Cause on both volumes these bands had more in common (if not a straight line inspiration) from the Mersey Beat 60s scene than the one of U.S. Garage. Every little song here’s a sparkler, piece of history and one way ticket back to the days where you were able to see girls as innocent creatures and not as evil monsters (for my female readers: don’t get it wrong sweeties, I’m no sexist - I just have clear memories of how in my mind females translated in less than a year from cats to leopards)! And you can get the crème de la crème even if names like the ones of Dwight Twilley or Phil Seymour shine in their absence (rights owners may have my curse!). Name check? Alright then! Count the classics: The Shoes – “Tomorrow Night”, The Nerves - “Hanging on the Telephone”, The Real Kids – “All Kindsa Girls” (in a probably demo-ish recording, for sure rawer than Norton’s Red Star debut CD reissue) Cheap Trick – “Southern Girls”, The Diodes – “Tired of Waking Up Tired”, The Rubinoos – “I Wanna Be Your Boyfriend”, 20/20 – “Giving It All”, The Beat’s both cuts, Fotomaker’s “Where Have You Been All My Life”, The Plimsouls – “Zero Hour”, Flamin’ Groovies (of course!) – “Shake Some Action” and Chris Bell – “I Am the Cosmos”!!! And all the above tracks, are those that come in me mind without to check the track-list in the back, right this moment OK? Looking at the date both CDs been released (on the back says 1993...) I really wonder why for so MANY years someone hasn't put out a box in the likes of ‘Nuggets’ or ‘No Thanks!’ for Power Pop's little jewels? A matter of rights maybe? Anyway, if you ever face up these two volumes at a second hand store, don't let 'em slip away. A good way to have in one place some of the best products American power pop ever produced. Till then, here they are for your ears pleasure (sorry for the marked 'M.H. Lime' on the sleeves, when I was younger I used to stamp all of my records). I believe we owe more than we think of to Greg Shaw...

The Boys - "The Very Best Of The Boys, The Punk Collectors Series" (Anagram, 1999)

Hi there! You know, I’m not a person who likes compilations with stupid titles like ‘the very best of’ / ‘greatest hits’ etc. And actually, from the (very) first days of this blog I’ve never propose to you a comp in that vein. You have to got the albums, always, and in the case of the Boys, you have to buy them ALL! Saying this, I’m sure I haven’t catch in my life more than 20 perhaps ‘best of’ for both, records and CDs. And a good 90% was purchased as a starter or as replacement to the bands normal releases (I’ve told you before, Greece’s not a cool place for this kind of music). And it’s a damn hard thing to find a ‘best of’ to represent any band’s or artist’s resume in the best possible way. Well, this one belongs to the scarce of the matter!
The Boys are my ‘weakness’ (I’m not sure this expression translates in English exactly what I want to say, which is actually that the Boys won the higher places of my favorite punk rock/power pop groups easily). Definitely had the sound I want to hear to cheer my mood! The frenetic poppy punk blasts of their first steps and the more ‘mature’ punky pop of their later (in the way looks ‘old’ some 18yo lad to the eyes of a 15!) was hand-fitted to me. The fact that never ‘did it’ commercially is a home truth and of course a high injustice to their side but for me, no less than a happy situation… I know it sounds bad and don’t get me wrong but when I was in my teens, my selfish existence demanded to go find ‘things’ that none of my friends would have known or like first! And still 18 years later, the Boys are for me the best punk/power pop/rock n’ roll band of their time in the eastern side of the Atlantic (to the other of course were some four leather jacket and sneakers wearing lads, under a Paul McCartney surname).
The Boys greatness has many chapters and had offer to rock & roll much more than a casual fan may believe. Exceptional hooky fun dynamites and at least three equal if not legendary bands that predated or continued Boys legacy, all unfortunately with the same underestimated destiny. The Hollywood Brats, The Yobs and The Crybabys through the years trail won the more suspicious of the fans but somehow remain with something more of a cult following… Hopefully for all three aforementioned groups will talk in a future piece.
And what we get here? The singles (ALL classics, no 'You better Move On' tho'); in chronological order and a rollercoaster drive from the early unripe punk rock with pop refrains transiting song to song in a full pop crew with punky and edgy dynamics! From the quite Ramone-ish sugar harsh attacks (‘Sick of You’, ‘I Don’t Care’), through Phil Spectorian song morphology some years before da brudders in fact (‘Brickfield Nights’), to an almost Chris Bell lost gem (‘Independent Girl’ – Am I the only one finding similarities with ‘I am the Cosmos’?), the Boys arsenal of well crafted power pop songs is attacking your stereo’s speakers unashamedly and with unconditionally swaggering charm! 





Buy The Boys amazing Captain Oi! reissues here!




Stiv Bators - "L.A. L.A." (Bomp, BCD 4046 - 1994)

I’m a fan of Stiv Bators but as much as I dig Dead Boys and his solo efforts on Bomp, the same way I (almost) despise the Wanderers or the Lords of the New Church. Too much 'Blade-Runner' scenarios on one hand and too much goth on the other....Sorry, but i won't buy. I'm a pure 'dumb' fun kind of guy. I prefer to remember him the way he looked earlier on and not with candles and black painted nails... On Dead Boys was a true nihilistic force an’ answer to Johnny Rotten and the Sex Pistols and a lil’ later was a Knickerbockers/Choir/Beatles power popper, flourish in style with Vox guitars and tight mods suits!
Many punk fanatics at first disappointed with this turn of Stiv's career, but the only thing he wanted at the time was to get rid the persona of the Dead Boys front man. Personally speaking, i go nuts with this la-la-la songs with loud guitars. And Bomp! was the perfect place for someone who wanted to play that kind of music. This great compilation includes the excellent aforementioned Bomp singles, alternate & demo versions, jam sessions with Kim Fowley and the Runaways plus the stunning version of "I Stand Accused", a song originally by the Glories which because of this guy named Elvis Costello, had to stay in the can until the release of "L.A L.A".  Such fun!


Makin' Time - "Rhythm and Soul" (Countdown, 1985)



For many years I hated the term “mod revival”. It was too generic and too confusing. I mean, as ‘Mod Revivalists’ reported bands with so much different sound such as The Jam, The Style Council, Secret Affair, The Chords, The Prisoners or Makin’ Time. In a way the term was right, due to the fact that all these cats were stylistically serious mods. But the Jam for example were actually a punkier effort of the Kinks, Style Council a blue eyed soul duo with an eye lookin'to artists like Dusty Springfield (btw GODDESS!)or the Prisoners who owed their sound more to the many garage punk misfits of the other side of the Atlantic than their local heroes like the Action or the Creation… Hope you get what I’m trying to say here.I dig all of them but I was always a Stiff Records guy. And the Countdown label was funded by Stiff. With permuted attributes on this, Countdown records inherited with Stiff’s brilliant taste! Best examples two of my fave bands of the 80s, the Prisoners and Makin’ Time!Makin’ Time was the opposite of Prisoners. No filthy at all (I know this sounds like a handicap but wait a sec) but full of SOUL, both metaphorically and in reality. I read many times about them that on stage were RED HOT. I think they were red hot on studio, so this description must be poor for their gigs… If anyone of you people had the luck to catch them in their heyday, please comment.“Rhythm & Soul” was exactly what the title said. They sure were fanatics of the Northern Soul ‘scene’ and they sure assimilated those sounds the right way. No mere copyists here. They were good students also of their homeland’s great pop 60s tradition (Brian Auger must be a huge icon for them) with a little powder of psychedelia (the Arthur Lee / Love way). Add to all these the tailor made voice of Fay for these songs and her enormous organ sound (I’m no expert but I’m quite sure this gal played a Vox continental instead of a Hammond…), and you’ll have probably the more authentic rhythm & soul group of the sixties in the midst of the 80s.PS: Bass player Martin Blunt went to fame with The Charlatans. From the entire so called ‘Madchester’ scene the Charlatans were the ones that lasted more, putting out from great records to decent but without second thoughts, Makin’ Time were a better outfit.PS2: The great Ace/Big Beat label got out a FANTASTIC compilation of the band, with all of their Countdown recordings plus their second and for years disappeared long play, “No Lamps of Fat or Gristle Guaranteed”. You really need them! Check them here.
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Rhythm and Soul!




The Poppees - "The Bomp! Singles" (Bomp!, 1975 & 1978)


 I have bought recently a newly Bomp! issued compilation of the Poppees but i didn't have placed the small digital disc on the player for many days. What a dumb-ass! I have totally forgot how GREAT this band was! The Poppees definitely are members of the greats pantheon, up there with the Flamin' Groovies or the Big Star. In a time that someone liking early Beatles' work (the ones that actually really need your attention - i don't go much for the latter drugged fueled hippy recordings) was a crime, four New Yorkers tried their best to bring back vocal harmonies and beautiful guitar hooks.
Unfortunately all they ever did (officially), were those two Bomp! 7 inches. But these four sides were honestly some of the best musters on how pop minded rock n' roll (a.k.a. as power pop) has to be played. No wonder why Greg Shaw lost his mind hearing just once their first demo recording.
They had Craig Leon (not much later took place as the producer of the Ramones) and Cyril Jordan ( Flamin' Groovies six string arsenal throughout their existence) behind the board and Greg Shaw as a pusher but sadly nothing really happened. On the aforementioned comp. there are live recordings sawing a different direction that the Poppees tried for some time (the Heartbreakers influence is more than audible) but not much after this, they broke into two more (excellent again) bands, the Sorrows and the Boyfriends (both groups are to this day cult acts for power pop & punk fans). What we have here is their two singles on the legendary Bomp! label. Try these first and go get after their "Pop Goes the Anthology" CD.
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PS: That's a piece that i found on garage punk forums. If what it says it's true, i can't wait for the proper release of it...
"A rare reel tape discovery in Los Angeles: the unreleased debut album of The Poppees. This 12-song tape includes 1 of the group's 2 singles on Bomp Records, "If She Cries." The songs are definitely performed by The Poppees and are not from their splinter period where they became the alternate group, The Boyfriends or later with the formation of The Sorrows.

The Poppees tape was found with a stack of other reel tapes, apparently from a radio station, which included rare material by: Yard Trauma; The Brood; The Boss Martians; and others.

The tape is being researched for transfer and release---30-plus years later after the original recordings. The Poppees performance is found original and sparkling; fans will find their 3-decade wait was not in vain.

Standout tracks include ”Somebody Loves You” and “You’d Never Leave.”

Andromeda International Records"
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