Sometimes we must invent (in a way) new terms for helping us describe things, even if these are unproved. For our next subject, the tags 'Rhythm & Blues", "Rock & Roll" or "Soul" can not describe in its full glory, the mayhem captured on tape, half a century ago. We should really call this "garage soul" or maybe "punky R&B" and still we're not going to be 100 % correct.
The great Otis Redding stays to this day as one of the finest! He really got it. Angry and at the same time smooth. Passionate and true. His idol though was no James Brown, but the real king of Rock & Roll, Little Richard. If this was a math equalization, the specific two-sider must had no unknown X. A frantic, pounding, frenzy and deliriously stomping soul hard drive for what is made in a hurry and proposed for butt shaking!
I even like the myth that surrounds it. Otis was Pinetoppers' driver. The Pinetoppers were a kick ass combo. Seriously, these fuckers were as mean and tough as Little Richard's Upsetters! Many times and just from that single judging, think of 'em as the black Raymen! Yeah, that MEAN! So, they went to Memphis for a session at Stax, things not worked properly, Otis grabbed the mic and BOOM! The rest is history! Rock & Roll simplicity and brilliancy have hided most times in such occasions. Primitive rawness that makes Iggy & the Stooges sound like your parish choir boys! No Shit! If you're looking for the most Wild & Savage records ever, have in mind this and the Bunker Hill's "Girl Can't Dance". No wonder after these, Little Richard turned to God... I only wonder what the savage young Sonics would (or could) have done if they had touched their filthy hands on?!
PS: I have seen this single with many different labels. King, Confederate, Orbit and Sue... I think Orbit's the original but it's easier to find King's re-print. I can't remember clearly but, I'm sure for King and Sue issues this credited to Otis Redding only and not with the Pinetoppers but it's the same screamer (well OK, King's single has overdubs and it's slightly different but anyway...), so if you ever see it watching you, grab it!
VBR
The great Otis Redding stays to this day as one of the finest! He really got it. Angry and at the same time smooth. Passionate and true. His idol though was no James Brown, but the real king of Rock & Roll, Little Richard. If this was a math equalization, the specific two-sider must had no unknown X. A frantic, pounding, frenzy and deliriously stomping soul hard drive for what is made in a hurry and proposed for butt shaking!
I even like the myth that surrounds it. Otis was Pinetoppers' driver. The Pinetoppers were a kick ass combo. Seriously, these fuckers were as mean and tough as Little Richard's Upsetters! Many times and just from that single judging, think of 'em as the black Raymen! Yeah, that MEAN! So, they went to Memphis for a session at Stax, things not worked properly, Otis grabbed the mic and BOOM! The rest is history! Rock & Roll simplicity and brilliancy have hided most times in such occasions. Primitive rawness that makes Iggy & the Stooges sound like your parish choir boys! No Shit! If you're looking for the most Wild & Savage records ever, have in mind this and the Bunker Hill's "Girl Can't Dance". No wonder after these, Little Richard turned to God... I only wonder what the savage young Sonics would (or could) have done if they had touched their filthy hands on?!
PS: I have seen this single with many different labels. King, Confederate, Orbit and Sue... I think Orbit's the original but it's easier to find King's re-print. I can't remember clearly but, I'm sure for King and Sue issues this credited to Otis Redding only and not with the Pinetoppers but it's the same screamer (well OK, King's single has overdubs and it's slightly different but anyway...), so if you ever see it watching you, grab it!
VBR